Nowadays there are various types of methods and designs of locks are available in the market in order to achieve various needs of the clients. Individual, who are running diverse type of companies, need lot of help of a locksmith. Nowadays industries are using CCTV cameras in order to make sure the safety.
An organizational also provides some alarm safety systems. These safety systems can be installed for different type of causes. One time these alarm safety systems installed then it becomes essential to do drills after a regular interval of period. These types of locks are used without any keys. This type of protection systems are also known as key less precautions systems.
These days MINT LOCKSMITHS BROMLEY are also contribution some bio metrics security systems for the reason that the people getting more and more concerned about protection. These types of locks are used extensively in the industrial sector because these types of locks provide strong protection. Finger print is used in the bio metric locking system. This is the recent locking system.
No hesitation, bio metric lock systems are very luxurious as compare with other protection systems but this type of lock make sure the security of your property with great competence. The current industrial locksmiths are also very useful when it comes to manipulative. They can design unusual kind of lock and keys by keeping in mind the requirements of their customers. This service can also be offered by an industrial locksmith. Similar to all other form of locksmiths , industrial locking system needs some special training is required.
Different airlines are now giving cheap international flights. Consequently, a lot of people can now travel without the need to compromise their budget.
The in-flight entertainment that an airline present is also a great concern for almost all people opting for cheap international flights. This is simply because you are about to sit for hours while you’re travelling. Hence, it is important for an airline to provide ample entertainment to help the passengers fight boredom.
It is no longer astonishing then that the majority of the airline companies are placing efforts in giving fun activities for their clients. The most frequent entertainment that cheap international flights offer are movies. You may also select a specific movie genre from a list of movies that these airlines give. It is because airline companies always assure wide availability of movie titles for your choosing.
You may also enjoy numerous television shows considering that there are a selection readily available for you to watch. It doesn’t matter precisely what form of genre you prefer, considering that it’s certain that you will surely enjoy the entire show while in-flight. In addition, you can also acquire the opportunity to learn the most recent news while you’re on your flight.
If you have children with you, then there’s an opportunity that they will not be entertained with the movies and television shows that you see. Therefore, why don’t you make them view numerous music videos that the airline gives rather? Another entertainment choice in cheap international flights is listening to music. If you’re in the habit of hearing music while in-flight, then you can pick among the wide range of genres available.
There’ll be a top quality entertainment choices for each and every passenger regardless of their tickets, may they belong to cheap international flights or the standard flights. You will definitely enjoy flying with these entertainment choices.
There is a reason for the current popularity of cartilage piercing, and it’s not necessarily the same reason it has been popular back in our ancestors’ days. Cartilage is thick, hard and flexible tissue mostly found in nose and ears. It has been observed that deprived and insanitary conducts of piercing leads to swelling and infection of the ears and can also cause an unbearable pain in the affected area.
Cartilage piercing is generating popularity among a large number of people especially the people of young generation. It has become a fashion statement of youths and a variety of jewelries are available for cartilage piercing including Studs, Cuffs, Cheap Tragus Bars, the amount of cartilage piercing plus, the area getting pierced.A lot of people are afraid of getting cartilage piercings as a consequence of the bumps that come after the piercing and also the small scars that develop in the region of the exit holes. In the process of cartilage piercing, a person’s cartilaginous tissue is penetrated for the purpose of inserting accessories like rings. In this procedure, the parts of the body penetrated are middle of the nose and the upper ears.
A cartilage is a strong, flexible connective tissue that is found in the outer ear. The ear is generally pierced by a disinfected needle in order to abstain from any action that may cause an infection. One of the most general troubles with cartilage piercing is that, it is vulnerable to a variety of ear-piercing infections. The rareness of blood in the cartilage deteriorates the infection.
Cartilages are extremely sensitive and must be pierced by only a trained and a highly experienced piercer. Body piercings are invasive procedures, maintain good hygiene after getting them done. Keep the area clean and moisturized with anti-bacterial creams or lotions. Since it’s at your ear, take extra care when combing or running your fingers through your hair. If you’re the sporty kind of people, it’s best to stay away from body contact activities. Cleaning should be done with the help of an antibacterial soap containing any of the two active ingredients which are chloroxylenol and triclosan.
Cartilage piercing for you is very important that your cartilage is pierced by a trained professional, experienced in cartilage piercings. It must be pierced using a needle, because a piercing gun will tear the cartilage tissue and leave a hole that will take a very long time to heal, if it ever does. If you are not confident with this piercing, perhaps you can start with clip-on or self-adhesive earrings. Once you have gathered up enough resolve, perhaps a helix piercing may be a good place to start. Add on as you get accustomed to jewelry lining your ears.
Treatment for your body piercing depends on where you are pierced. For instance, labret piercing is located on the lip area, and will take around 6 weeks to three months to recover. Make use of a good aftercare item; ask your piercer for further information on this. The person who’s getting a cartilage piercing might not prefer a cartilage gun to pierce the ear. This may take an extended time for it to recover. It might also make prolonged soreness and scarring.
Planning and Preparation
Documentary pre-production is an entirely different process than that for narrative film, and can be both more involved and less specific. Each documentary film is actually very different in a way that narrative film does not replicate. Though narrative films are different in style and content, the general structure is relatively common between them. Documentary film is not usually in this common format as each individual story, concept, and project is prepared on its own terms and with its own rules. What this means is that you have to take a look at what your film may end up being while also preparing your concept, subjects, and production methods. Here is are some tips to help on planning a documentary film before you enter production.
When planning a documentary film you first need to identify your idea very clearly, and developing a premise may help. A premise is often used when identifying your key elements in screenwriting, but can also help when planning a documentary film as it can give you an edge on how to make creative decisions around your topic. A premise is generally what you would like to say, which may be broader about the world or your specific subject. You may not know your premise entirely when planning a documentary filmas you have not fully investigated it yet, but have a clear idea of the direction you go in so that you can shoot for understanding a premise. For example, if you are planning a documentary film around a specific energy issue and you do not know how you want to stand on that issue you should identify what the issue is so that you present yourself with a framework to make a decision. This does not have to be a clear black and white decision, and can even be something that is incredibly vague or contradictory. The point is that you have established a place to go and have provided clarity to your eventual framework.
Research is the most important part of planning a documentary film as you are going to need to know everything you can about your topic if you are going to be effective at filming it. This does not simply mean piling through encyclopedia references, secondary sources, and news reports, though these are a great way to get started. Instead you have to really get into the topic by visiting locations, talking to sources, reading specific documents, and looking at primary items that are involved in your story or topic. The research process is going to take you into a lot of areas and to meet with a lot of people that you may even film later on, which is a good way to start a relationship or get a feel for different things. You need to know this inside and out and in a way that a common person could not, otherwise you are just going to give a very hollow regurgitation of the facts. This is also the beginning of the documentary organization processthat you are going to need all the way through.
Relationships and Characters
Documentary films that are really successful draw out relationships with people and specific characters. Some documentary films may be more educational in their preparation, such as political or environmental films that expose issues. These are great filmic constructs, but they still identify characters and require the filmmaker to build relationships. Characters can be people that you get to know on a realistic level and so the audience can then relate to them, and therefore the context of the film. Characters could also be vaguer, but they have to be something that people can connect with on an emotional rather than intellectual level. Documentary film really do play to the intellectual character of people by presenting ideas and facts, but that is not what maintains an actual film. Instead you have to develop people that will create an emotional framework and allow the audience to become involved. For this to happen you have to develop relationships with people, and this is true of even sources that are not going to be clear characters. For people to open up to you and really allow you to bring out truths and ideas you will have to let them know you in a way that is not done in brief official visits. This means that when you are planning a documentary film you need to get to know the people that you may want to draw from, engage them intimately, and eventually ask them to go beyond their regular defenses and where they would normally allow someone to go.
A documentary film requires extensive planning and preparation if it is going to come out as a complete and important project. Here are some tips for planning your documentary film to help it become a developed film project.
Oftentimes, people can focus on only one type of footage in their documentary film and ignore the fact that a documentary is really a collage of all different types. You are going to likely have interviews to help frame the film, firsthand video of things taking place, B-roll of more vague events and location, as well as stock footage or outside footage that is relevant to your film. All of these things are important and must be considered when you are planning a documentary film.
Before you go into documentary film production try to think about where you are going to meet these needs and how you are going to get this footage. First, identify locations where you may be able to get footage that was created by others. There are hundreds of sources online and institutions that contain footage that will likely be relevant to your documentary film, so take the time to contact them and itemize your work. Begin collecting them in digital folders to be used during documentary editing. Create ideas of what kind of footage you may want and begin listing it so that you will know where to go and what kind of things you are going to film. This will also be the acquisition of still photos that you are going to use later in the editing process, possibly with photo motion.
The documentary film is going to be one total project, but it is also going to have smaller segments and sequences. These sequences may be created through the pairing of a lot of news footage or interviews. It may be a situation that you filmed that is shortened into a dramatic sequence drawn together by music or a certain conversation. Either way, you are going to want to have an idea of what kind of sequences you may want before you even shoot them. What this is going to do is to give you a little direction when you begin bringing out relationships with subjects and are in the situations that will drive your documentary film. You cannot make clear choices about everything ahead of time, but you can set yourself up so that you are directed in what you are filming for. Without this you may end up just filming a lot of boring footage that ends up being unusable for your specific purpose.
If should go without saying that since your subjects are being caught in their natural life they may not always be completely happy with the exposure of a documentary film. Even if they have agreed to be a part of your documentary film, that does not mean that they are completely on board. To really ensure that they understand what the requirements are and that they accept them you will need to get them to sign documentation, which may mean that you have them sign photo release formsahead of time. This is a very important part of planning a documentary film as it is going to ensure your access.
Start and Editing Project
Documentary films are really made in the editing room, so part of planning a documentary film for you may be to actually start an editing project. What this allows you to do is to have a place to put your footage every time you collect some and to place stock and outside footage that you acquire. This can help you to get a visual of your film and to put together the sequences that will make the meat of your film. It will also give you perspective on the bone structure of the big picture and will always let you see where the holes are.
Film production has so many different elements to get it from idea to the theater that it has separate phases that they must go through. Here is an outline of the different phases that a feature film production will go through.
Piece by Piece
Many people only really envision movie making as the parts of actual production, but in reality it has several parts that play together to a final film project that are not a part of the actual filming. Instead, if you are looking at proper movie making production phase information it will list a number of stages that take it from the very basic ideas to the audiences in theaters and beyond, and this is really the process for making a film.
A film always starts out in the development stage. This is where the basic film is pitched to financiers, producers, studios, or those who are being involved. This is usually also where the script is written, a property is optioned, or a film is put together. It is here that no real plans for how the filmmaking process will be made, but instead the idea is fleshed out. There will always be a lot of hands on a feature film, and this is going to have a varied amount depending on who is pushing through the film. Any changes to the property that has to be made, the choice to go forward with the project, and the decisions about the producer and the above the line talent will likely be made. There may be offers that then go out to actors, alterations to a generalized budget, and even some ideas about the marketing campaign. Most films do not get past the development stage because of how expensive filmmaking is, but once it has been thoroughly developed then it will be ready to become an actual production.
The pre-production process is exactly what it sounds like: what happens before actual production. This is where the actual budget for the film is broken down, looking at what the costs will be and what the salaries will be. The wages and offers for actors will be decided and set up, and the general planning will be put together. The rest of the crew for the film will be found and hired, and they will begin working in their departments under the advisement of the producer, director, and production company or studio. For example, the art department will need to then be determining how the sets will look, what props will be there, how to compile the set dressings, and the so on. Part of this work may have been done in the development process, but only the most preliminary. The schedule will have to be hammered down, all the locations secured, and all of this being preceded by a complete script breakdown that will show exactly what each scene requires. The goal of the film pre-production period is to ensure that the actual production is able to begin without any problems, and that all planning has been done to ensure that all the players can just show up and shoot the film.
No matter which movie making production phase you are looking at, the actual physical production period is the most important. It cannot be done without the other phases, but this is when the film really happens. As you assume, this is where the filming occurs according to the plan set forward in the pre-production process. There will be a schedule that is set and the cast and crew will engage that schedule, shooting on all days as they occur. There may be changes to the schedule and production elements when production is occurring, such as going past schedule or having a location fall through, but the essential structure remains the same. The goal is to get al the scenes and shots by the end of the given schedule without going over budget and getting what is needed for the director’s vision and the financier’s expectations.
More involved and detailed than the other movie making production phases, the post-production period is where the film is really put together. This is more than just the editing of the film, but actually where all areas of the film are mastered and put together. Motion graphics, special effects, computer graphics, and the like are created and added to the film to create the world that was intended. Color grading will be applied to fix the colors and make them appear more filmic, and sound mixing and editing will create the audio tracks that are necessary for a clean soundscape. The online and offline editing will be one of the main creative stations in the post-production situation as it will require the attention of the director and will really piece the film together as it will later appear.
The delivery of the film to the distributor follows the post-production process if a distributor has already been acquired, and otherwise will then go for public showings, film markets, and film festivals in an effort to find a distributor. This would just act as an addition phase to the process, though is often ignored by movie making production phase information since it is not part of the studio workflow. Once the distributor has it they will finish a marketing campaign around the film, determine how they want to release it, and go through the material planning and execution of those arrangements. This could be filtering it through a company for the design of a DVD release, or simply making the contracts for a wide theatrical release. The distribution process will take quite some time as there are a lot of markets, a lot of money at stake, and a property that has the potential for long term profits.
The real truth about these various phases is that not one of them can be eliminated from the process. Even if you are going to make a low budget independent film you still have to develop your project, do pre-production on it, shoot it, edit and master it, and get it out to an audience. The exact nature of these things may change, but the various stages will not.
The short film takes on its own form as it has different limitations than a feature film Here is a look at how to make your own short film and what elements are going to be different from a full length project.
Most of our understanding of film production and analysis comes from the feature film world, but for most people, a short film will be their first attempt at filmmaking. Making short films actually varies a great deal from making a longer project but will use many of the same principles, such as to how to create a scene and tell a story. Here is a look at how these two processes are different and how you can go about the process of creating a short film project successfully.
The first thing that you have to identify when making short films is the same as with a feature film: what the film is about. This may seem obtuse, but is actually an item that many people ignore when first writing their script and going through the pre-production process. What this means essentially is what do you want to say with the film, what the basic ideas are, what the reaction you want from the audience to be, and how you want it to appear to the viewer. These basic ideas should then inform your writing and character construction, eventually leading to a structure that will be accessible for a production. This must be simplified for a short film since it has less time, and fewer characters, to get these things across. Therefore it needs to have clarity and simplicity that will allow you to take the audience to the places you want them to be quickly.
Trim the Fat
The short film form is really going to lend itself to the decisions you have made for simplicity in that you have to make your way through the story in much fewer steps. This means you have to “trim the fat,” which is a process that happens on all scripts yet takes on a dire need in a short film. Go through and boil down the elements of your story to the essentials, which does not mean trimming out things like dialogue but instead deciding what it is absolutely important. This can mean cutting out characters that are unnecessary because it would be difficult to introduce a lot of extra characters, and when you are actually making a short film, it can be difficult to find and manage too many actors. Locations should also be simplified for the same reason, and take a look at how each scene functions so that you can make sure that each one leads into the other.
When you are pre-producing your short film project you will go through the same breakdown and planning processes that you would do on any type of film. This means going through each scene and identifying the locations, time of day, characters, props, set dressings, and everything else you need. You will need to create a comprehensive shooting schedule, identify crew members, and move through the casting process. The obvious difference here is going to be the relative size of it, and since the market for short films does not have the same kind of investment turn around you will need to bring down the scale of the project. This means that you will want to just have one or two crew positions for each department when making short films, such as just a director of photography and an assistant camera person rather than having the DP be separate from the camera operator and having several assistants.
Directing the Short Film
When you are actually directing the short film project you are going to have to keep the flow of the entire project relevant in every scene. Scenes should be able to stand on their own as they are a microcosm of the entire film’s structure, yet in a short film you have less time to have scenes that simply set the tone or describe the character. Instead, these elements have to be injected into a scene structure where every scene gets something done in an effort towards the goal of the final film. This means that you have to make sure that each scene can be broken down into a sentence or two and then will lead directly into the following scene. This is not a hard and fast rule, but is a good way of considering how to structure those scenes. This is going to be something that begins in the writing stages, but must be made into reality and drawn out when actually in production. It is as this point that you can actually begin stripping things out of the film that is unnecessary.
What is going to be important is to establish the characters as quickly as possible, and though this exists on the page in terms of the hard facts, it is up to the director to make sure the actors can make themselves known early on. In a feature length film you have the first eighteen to thirty minutes to do this as they come to their primary challenge, but you may only have a few minutes in a short film. Try to make the early scenes exhibit the proper character traits you are looking for and make sure that their primary challenge comes by the third to fifth minute, which may translate to the first or second scene.
When you have completed the project you have few venues for it, which means that research about film festivals and possible distributors will have to be done with your specific project in mind. Making short films is usually a stepping stone to eventually making features, or it is a unique outlet that has just not found much of a commercial foothold quite yet. Until then, the process of making them will help you conceptualize how a larger film will play out in production.
It is an essential part of any successful production that planning and preparation need to be done. In this article we look at a few things to consider planning for that ultimately determine the quality and pace of your film production.
A Lesson Well Learned
As an independent film director, I have learned many valuable lessons within every shoot I’ve been involved in – Especially the productions I have been in charge of. One of the most important things, if not THE most important thing, I have learned thus far is that as an independent filmmaker you need to prepare yourself for the worst possible situation that could happen during a shoot. It is a common mistake I see time and time again from many amateurs – They don’t prepare for much, and they most certainly don’t plan anything.
Resolving Issues Before They Happen
It is vital to having a healthy production that you take the necessary amount of time and effort to determine all major conflicting situations. If your list is not a long one then keep thinking, you’re nowhere near done! When you plan for problems, it will usually mean that when those problems arise they can be taken care of quickly and efficiently. It’s a great way to stay on schedule and in return, also means that you’ll have more time to shoot.
You should have different backup plans to resolve each and every situation. It is a lot of work but it is your job as a director (and most likely producer) to maintain a kind of control that lets people know if they have a problem they can always come to you and expect an answer that resolves their issue immediately or near immediately. It will not only make you appear more professional but it will force an amount of respect from your actors and crew members.
The worst thing a director could say to anyone on his crew is, “I don’t know.” Even if you really don’t know, play it cool and let them know that you’ll have/get an answer for them soon. With all of these things in combination you will have a production that, from an outsider’s perspective, appears to flows seamlessly even though you know better.
Schedule With Problems in Mind
When you’ve got a great list of problems along with their solutions and begin to create a schedule for your shoot, you should consider to keep those problems in mind and give room for them. If these problems never happen then you’ll be ahead of schedule and EVERYONE will appreciate it. You’d be surprised how many people don’t even think to do this but it really does help, and it gives a sense of freedom on set knowing that you’ve got time to work things out if they should ever come up.
I’ve seen people purposely not give room for problems in their schedule because they don’t want to appear as if they aren’t bulletproof. For these people I always ask, “Would you rather look like a fool and be behind schedule due to factors you knew would be there but didn’t prepare properly for or would you rather be ahead of schedule and getting more work done than planned?”
Know Your Locations
Don’t do anything production-wise until you’ve first seen where you’re going to shoot – Do it at the bare minimum of one or two weeks before you shoot. The more time beforehand, the better. Make sure that you always get permission in writing and signed by an authority figure. This way, you can immediately start planning your shoot and will be ready for anything – Even if it means flaunting a signed permission slip to police officers and/or other authoritative figures.
I have been a director, even a camera operator, for productions where I was only given 24 hours or less for preparation. Those shooting sessions hardly ever end up pretty (unless you’ve been to the location before). I strongly advice never put yourself in situations like this unless absolutely necessary.
Plan Your Shots
If you don’t like working according to a storyboard then it is OK, you don’t need to. There are many great directors who don’t/won’t do it – Christopher Nolan (Memento, Batman Begins, The Dark Knight) is one of them.
As I said before, planning everything that you possibly can regarding your production is vital, so if you either don’t want to work from a story-board or don’t have the time and/or budget for story-boarding then you can simply create a shot list. Make the shot list as descriptive or brief as necessary, just make sure you can understand it clearly as you will be the only one looking at it all day (beside your DP, if you choose to have one). A shot list is a very efficient way of working, it can increase the pace at which you shoot, and can often be a better way to organize shots than a story-board as it takes up much less room on paper.
There Will Always Be More Than Expected
In any production there will always be other problems that will arise – Things that you did not prepare for. This is where experience comes in handy. The more experience you’ve got with shooting, the easier it will be for you to handle these problems.
If you are first starting out, it may be overwhelming but remaining calm, cool and collected always helps. Things have a tendency of working out when you take one step at a time and just breathe. Don’t forget that if things get to the point where there are no resolutions whatsoever, there is always the option of canceling the shoot or closing it down for the day until things can get straightened out. This should always be a very last resort and should never happen unless absolutely necessary.
In any strong, quality production planning things down to the last detail is a requirement. I cannot stress enough that not only do actors appreciate proper preparation but, more than anyone, your crew will appreciate it. Preparation is often overlooked in amateur sessions, but when you come well prepared there are many more benefits – You can usually get things done much faster, things go much more smoothly, and you get a lot more respect from the people that are working for you.
If you are looking for traditional prizes awarded at the Cannes Film Festival then you will definitely be disappointed. The prizes given at the film festival are quite distinct. Check out the list of the top 14 awards here.
A prize awarded at the Cannes Film Festival is a prize like no other. The Cannes Film Festival is considered as of the most prestigious award festivals among the whole film industry. Started in 1946, this festival is organized every year in Cannes at the Resort town. There are several distinct prizes given out in the Cannes Film Festival. Unlike other prestigious film awards, this private festival has some very unique categories which they base their awards from and this makes them listed among the top film festivals.
The most coveted prize awarded at the Cannes Film Festival is the Palme d’Or or the Golden Palm. This award is the equivalent of the best picture in other film awards and was first awarded in 1955. This high honors is given to the best film in the entire Cannes Film Festival.
Image Credit: http://watches.infoniac.com/uimg/chopard-golden-palm.jpg
The Grand Prix prize awarded at the Cannes Film Festival is considered to be the second best award of the event and is given to one of the competing feature films. The film is selected by a bench of jury members.
The Prix du Jury or the Jury Prize is awarded for the Official Section of the event. The Official Section is organized into several sections as well. It is also considered the main award of the festival. The Competition includes 20 films selected by the jury of the festival that competes for the well-known award Palme d’Or. The Un Certain Regard contains a bunch of films representing different cultures that are considered original. Out of the competition, however, are films shown in the festival that are not part of the main event’s competition.
Short Film Award
Palme d’Or du Court metrage or Short Film Palme d’Or is the highest prize awarded at the Cannes Film Festival for the short films shown during the festival. This is equivalent to the Palme d’Or for short films. If there is more than one short film which should be awarded, the festival presents a jury prize or special mention in this section as well and thus considered the best film festival for respecting talent.
Best Actress Award
Unlike other award festivals, the Best Actress Award is not presented to a group of actresses that are part of the top movies of the year. The Best Actress Award is a prize awarded at the Cannes Film Festival that is given to an actress in a film under the Official Section of the film festival. You can expect to have the award given to actresses that are not widely known to all. Since the Cannes Film Festival focuses more on the quality, storyline, production and the technical side of a film, you can find small film companies from different parts of the world invited. The award was first presented in 1946.
Prize Un Certain Regard
Prize Un Certain Regard is a prize awarded at the Cannes Film Festival for films in the Un Certain category of the Official Section. This award was founded to recognize young film makers. Unlike the other awards given in the festival, a grant is given together with the award to help the distribution of the winning film. The prize money for this award is 30,000 Euro.
Best Director Award
Among the films showcased in the festival, the jury chooses a best director who is presented with the award. The award was first presented in the year 1946. It is also known as Prix de la mise en scène.
Best Screenplay Award
With the French name Prix du scénario, the award is presented to the best screen play writer of the films shown in the festival. It is another award chosen in the official section by the jury members for screenplay writing.
This award is basically a program to facilitate the film students and to introduce them to the world cinema. The program and award was started in 1998 with the aim to encourage young film makers. This program and section receives more than 1000 films from various film students from all over the world. The program is divided in three sections: Atelier, Residence and Selection.
The award was first presented to Robert M. Young in 1978. It is presented to a debut film maker, who made his/her first film. The best film is chosen by special jury and is presented on the closing day of the festival. The French name of the award is Caméra d’Or.
Vulcain Prize of the Technical Artist
This award was introduced in 2003 to encourage and reward technicians involved in the film making. It is also known as Prix Vulcain de l’Artiste Technicien, and is basically an independent film award.
International Critic’s Week
This special week was created to facilitate and award film makers who make parallel cinema andexperimental films. The critics award is for those who are new to film making and made their first or second film. Also known as La Semaine Internationale de la Critique, the winner is chosen among the only top seven feature film and short films.
The Prize of the Ecumenical Jury
Introduced in 1974, the award is for feature films. This is an independent film award which was created by film critics, Christian film makers and film professionals. It is also known as Prix du Jury Œcuménique, and is given to a film which talks about human concerns. The special jury of 6 members chooses a film which is very high in quality.
Film production companies of the United States have thrilled and entertained the whole world ever since they emerged in the early 1900′s. They’re still doing it by producing awesome films. Here are some of the most well-known production studios in the US.
Film Production Companies
Film production companies of the United States have always stayed front and center of the worldwide movie industry. Most of these production companies are based in California. Hollywood to be exact. Here are 4 of the biggest film production companies of the United States and why they are leading the charge in making some of the best movies the world has ever seen.
Next to Paramount Pictures, Universal Studios is the oldest American film production company that is still actively producing movies. It is currently part of the media super-conglomerate called NBC Universal, but the company started out as a family-controlled business which was founded by Carl Laemmle in 1912. The company is also called Universal City Studios, or Universal Studios for short. It owns a considerably sizeable library of films and TV shows that spans some of the earliest pieces of American cinema to the contemporary blockbusters and TV hits. This library includes 5 Alfred Hitchcock films and Woody Woodpecker animated shorts. The company also hold the film rights and theme park license to some of Hanna-Barbera’s most famous characters like Scooby-Doo, the Jetsons, and the Flintstones.
Metro-Goldwyn-Mayer or MGM
Founded in 1924 by Marcus Loew, MGM is one of the pillars of film productionand distribution in the world. MGM’s official motto is “Ars Gratia Artis” which is Latin for “Art for art’s sake”. This motto can be found on the company’s world famous logo that features a roaring lion called “Leo the Lion”. The studio was the dominant force in the American film industry during its infancy. However, the production company started to lose its grip on the number 1 spot during the 1960′s. Eventually, it was forced to close down production in 1973 while still continuing its distribution activities. The studio went back to producing films in 1980, but it never fully recovered from its financial woes. The company doesn’t produce a lot of movies like it used to, but they’re focusing on quality rather than quantity these days.
Fox Searchlight Pictures
Fox Searchlight Pictures is the film division of 20th Century Fox that focuses on independent films, as well as other under the radar types of films that include British movies, non-English-language movies, dramedies and horror flicks. Fox Searchlight has shined it’s light on notable films that may have otherwise fell through the international movie cracks. Some of these exceptional movies include Slumdog Millionaire, Juno, The Full Monty, Little Miss Sunshine and Sideways. These movies were nominated for Best Picture, and Slumdog Millionaire actually won.
Dreamworks Animation SKG
Dreamworks Animation SKG is an animation studio that has produced a variety of commercially successful animated movies that include Shrek, Kung Fu Panda, How To Train Your Dragon, and Monsters vs. Aliens, among others. The studio produces mostly serious traditionally animated films like The Prince of Egypt, The Road to El Dorado, and Spirit: Stallion of the Cimarron, as well as computer-animated comedies, but it is mostly seen as a factory for satirical animated comedies. Dreamworks SKG was created on October 1994 by Steven Spielberg, David Geffen and Jeffrey Katzenberg. In the year 2000, Dreamworks Animation SKG was formed as another Dreamworks SKG division to produce both traditional animation and CG technology films. In 2004, Dreamworks Animation SKG focus exclusively in making CG technology animated films with partnership to Bristol stop-animation company – Aardman Animations. The studio is presently producing 3D animations with the Intel’s InTru3D. The first animated film created by this animation studio with InTru3D technology was the Monsters vs. Aliens released on March 2009, followed by How To Train Your Dragon and Shrek Forever After.
Film pre-production is one of the most significant parts of the overall filmic process as it is where you make the decisions about how you want the film to be executed. The screenplay is finalized, the locations are decided upon, the casting takes place, and the film is set up to go into active production. All of these require complex amount of formatting and the creation of structured documents that will then be used as a roadmap when you are in production. One of the most complicated parts of putting together a film production is the scheduling, and this ranges from film pre-production all the way to changes during active production and even post-production. Film scheduling requires you to coordinate all locations, crew, actors, and outside staff together for each day of production, taking union, legal, and production rules in mind. To do this you need a great piece of production scheduling software so that the Line Producer can arrange this correctly. Here is a look at a few of the best production software you can use to set up your film scheduling.
Celtx is not one of the first programs that people think of when considering scheduling, but for low budget independent or student films that do not have the budget to work with expensive software then it is a good option. What Celtx is known for is a free screenwriting program, and it is often an alternative for programs like Final Draft. Here you can do more than just write your script in Celtx, and you can end up developing a full script breakdown from your script inside of the program. This includes a relatively simple production schedule that is fed directly from the scenes blocked out in your Celtx script. Once you identify the period of time needed for each scene you can block it out into a concrete film schedule using a calendar system. This will not include as detailed of features as more high end production scheduling software, but it is free and fully integrated.
If you are looking to step it up to a much more involved production scheduling software you can try Movie Magic Budgeting. This is one of the many Movie Magic programs, some of which are for things like screenwriting. In the professional film industry, Movie Magic Budgeting is a well used and respected production scheduling software. Movie Magic Budgeting was built off of the physical scheduling board functions that came in earlier days before personal computing, and from this was built specifically from the needs of production with a look at the various types of shoot days, locations, changing in scenes, and essential responsiveness toProducer changes. The program is, however, a major financial step up from the alternatives at $399 for the boxed version.
If you want to go beyond a standard production scheduling software and into a film pre-production program as a whole you may want to go with Gorilla Professional, which holds the same price as Movie Magic yet involves a whole range of pre-production features. Unlike the Student and Standard versions, you will have unlimited shoot days and budgets to work with in the program. What is nice here is that both the scheduling and budgeting elements are in such great detail and built together, so you can work with it as one project. The storyboard and shotlist, locations, calendar, contacts, accounting, and even basic video editing features and streamlining the film festival submission process. This really will take your film from start to finish in one detailed program.